It is quite a vision.. Director Paul Thomas Anderson hasn't reinvented Sandler; he's just allowed those of us who tired very quickly of his innocent naif shtick to see how effectively it can be put in the service of something to care about.. . [Anderson] uses a hit-or-miss aesthetic that hits often enough to keep the film entertaining even if none of it makes a lick of sense.. Sandler is quite winning, but he doesn't stretch so much as deepen the same character he always plays.. Punch-Drunk Love...
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